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By Emerald Bertran
Print | PDFThe first time she saw her name on a contract, Beth did not recognize it as her own. It sat in neat cursive between two columns, numbers hung ominously above it. The jet-black ink was harsh, unforgiving, it looked too permanent. The page did not ask her consent. There was no space left for refusal.
The orphanage she grudgingly called home sat just at the edge of town, like something exiled. Brick walls the color of dried blood, windows rattling in their frames, all wrapped in an indescribable blanket of pure gloom. Inside, the air smelled of boiled cabbage and lye soap. The girls moved quietly through its corridors, their shoes scuffing in unison, as if sound itself were rationed.
She arrived with a cardboard suitcase, and a tag tied to her sleeve. Her name written in careful ink on the back. Her mother had pressed that tag there with trembling hands. By morning, her mother was gone. The tag remained. Beth had liked looking at her name, in her mother’s loopy handwriting. There, it really felt like her own.
In the recreation room, if a square room with two warped chairs could be called that, there was a violin in a shredded leather case. It had once belonged to a donor’s son, the nuns said, though whether the son had died or simply outgrown it was unclear. The velvet lining inside was threadbare, gnawed by moths, and not one string quite in tune. Despite its pitiful condition, Beth knelt before it as if before an altar.
The first sound she drew from it was nothing short of awful. It scraped the air raw with a metallic shriek. A nun winced. A girl laughed. But she couldn’t stop, her fingers itching to relieve the melodies in her head. She practiced in stairwells and corridors. Practiced in the basement beside the coal furnace, where soot gathered on her dress and the light bulb flickered with an aggravating inconsistence. Her chin bruised purple against the wood, and her fingers blistered, then hardened. She learned that if she pressed the bow just so, the sound would bloom, thin at first, then full, like a lung remembering how to breathe.
The violin did not love her. It obeyed her.
By eleven, her playing had far outgrown the building. A visiting benefactor, a woman in a spotted fur collar and pearl earrings paused outside the stairwell one afternoon. Beth did not see her, she was bent over the rickety old instrument, eyes closed, as if she were threading something invisible through the air.
Within months, she was transferred to a music conservatory in the city, sponsored by generosity that came wrapped in expectation. The train carried her away from the orphanage in a plume of steam, and she watched the brick building shrink until it resembled something harmless. She did not wave.
The city was louder. Brighter. Its streets shone with recent rain and a sense of mystery. Neon signs trembling in puddles, smoke clouds, glitz and glamour galore. Concert halls rose like cathedrals, tall and self-assured. When she first stepped onto a real stage, Beth felt the lights before she saw them, hot against her eyelids. They glazed over her pupils in a milky white haze, bleaching the audience into a single shadowed mass. She could not make out faces. Only the sense of thousands breathing, and the gentle hum of anticipation.
Relax. Deep breath. When she played, the hall became hers. The notes unfurled like silk, and filled the air, climbed the gilded balconies, slipped into the throats of strangers and made them swallow. Beth felt so in control. It felt good. It felt dangerous.
Then came the applause.
It crashed against her ribs and swallowed her small frame. It was not gentle.
Soon enough, newspapers began to print her name. Orphan Virtuoso Stuns City. War-Torn Generation Finds Hope in Young Prodigy. They photographed her holding the cracked violin from the orphanage, though she no longer played it. They preferred the symbolism of it.
Men in tailored suits with slick hair spoke softly around her, as if volume might frighten the talent away. They discussed tours and contracts and percentages. Words like “Investment” and “Asset” drifted through the air, heavy as cigar smoke. She signed where they told her to sign. Gratitude had been drilled into her bones, it seemed ungrateful to question.
The tours began.
Chicago. Boston. Philadelphia. Her face on posters taller than she was. Hotel rooms blurred together, thick carpets that muffled footsteps, curtains heavy as secrets. Always the violin case waiting on the bed. Like a command.
She grew accustomed to the ritual, the stagehand’s nod, the walk into light, the brief blindness before pushing past that first note. Her fingers moved with killer precision. Audiences leaned forward as if witnessing a resurrection.
Backstage one evening, in New York, she sat behind a velvet curtain and overheard her manager... laugh.
“Our little miracle,” he was saying. “The public can’t get enough of the story! They adore resilience.”
“And she’s profitable?” a deeper voice bellowed.
A pause. The scratch of a match. The smell of tobacco.
“Exceptionally.”
Beth felt something inside her tilt.
Not anger. No, something colder.
She looked down at her hands, her nerves visible beneath paper thin pale skin, the calluses hardened into permanence. She thought of the orphanage stairwell. No one had watched her then. No one had applauded. She had belonged to herself.
The applause began again, impatient, summoning.
She stepped onto the stage, and the lights struck her full in the face. For a moment, she imagined lowering the violin and saying nothing. Letting the silence spread until it became uncomfortable.
But the bow rose anyway. Music poured out, obedient as ever.
The realization came gradually. Every interview had been carefully steered toward tragedy. Every article emphasized her origin story more than her skill. They wanted the narrative of the poor orphan, elevated by art. It made them feel generous. It made them feel necessary.
In a dressing room in Philadelphia, she found a ledger left carelessly open on a table. Her name appeared beside figures so large, they looked like phone numbers. Tour revenue, sponsorships, donations, all attributed to her performances. Her share was a small, modest number at the bottom.
That night, she played with a ferocity that startled even her. The notes cut sharper, lingered longer. The audience rose to its feet before she had even finished the final note. They mistook her fury for passion.
After the curtain fell, she did not bow. She walked straight past the waiting hands and congratulatory smiles, into the narrow corridor that led to her dressing room.
The applause followed, muffled but relentless.
Inside, the mirror reflected a stranger. Hair pinned perfectly, eyes rimmed dark from exhaustion. She leaned closer.
She thought of the orphanage tag still tucked in the lining of her suitcase. The name written in her mother’s careful hand. That name felt distant now, as if it belonged to someone who had already died.
A knock rattled the door.
“Encore!” her manager called. “They’re demanding it.”
Demanding.
She understood, then, with devastating clarity, there was no version of this story in which she simply walked away. The contracts were binding. The narrative too beloved. Even rebellion would be repackaged, sold as a dramatic stunt of sorts, proof of artistic depth.
She had been shaped too precisely to escape. The applause swelled again, almost angry now.
Beth’s knees buckled and gave out. Her knees hit the scuffed floorboards. The cold seeped through the fabric of her dress. She pressed her palms flat against the wood, grounding herself. Beyond the walls, thousands of hands collided in rhythm, calling her back into the light. Not out of love. Out of expectation. Out of ownership.
Another knock. Sharper. She did not answer.
The applause became a roar, then a pounding, then something monstrous and alive. They would wait. They would always wait. And when she returned, as she inevitably would, they would devour whatever she offered. Her reflection in the mirror caught her eye one last time. A prodigy. A miracle. An investment. A girl who had mistaken obedience for freedom.
Beth’s ears started to ring, blocking out reality. Slowly, she lowered her head until her cheek touched the floor. Outside, the curtain trembled. And on the dressing room floor, it was there she understood that the price of fame was not exhaustion, or loneliness, or even exploitation. It was the irreversible moment you realized you had been sold, and there was no one left to buy you back.
Beth realized she had never been discovered, only acquired.