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June 7, 2021
Print | PDFBibliography
Bliss, Karen. “Iskwe Takes on Callous Coverage of Indigenous Youth Murders In ‘Little Star’: Video Premiere.” Billboard, February 13, 2019, https://www.billboard.com/articles/news/8498237/iskwe-little-star-video.
CBC Music. “2018 Polaris Music Prize Winner! [SPOILERS].” CBC Music, September 18, 2018. YouTube video, 8:53. https://www.youtube.com/watch?v=qIEHxNGJApA
Cemm, Ro. 2018. “Nêhiyawak Juxtaposes Pain and Understanding on ‘Open Window.’” The Line of Best Fit, November 30, 2018, https://www.thelineofbestfit.com/new-music/discovery/nehiyawak-open-window.
Darville, Jordan. “Jeremy Dutcher: ‘The Days of Internalised Colonialism Are Done!’” The Guardian, March 26, 2019, http://www.theguardian.com/music/2019/mar/26/jeremy-dutcher-interview-canada-first-nation-indigenous-arias.
Garneau, David. “Imaginary Spaces of Conciliation and Reconciliation: Art, Curation, and Healing,” In Arts of Engagement : Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada, 21-42. Waterloo, ON: Wilfrid Laurier University Press, 2016, https://libproxy.wlu.ca/login?url=http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,cookie,url,uid&db=e000xna&AN=1433494&site=ehost-live&ebv=EB&ppid=pp_Cover.
Harris, Cole. A Bounded Land: Reflections on Settler Colonialism in Canada. UBC Press, https://books-scholarsportal-info.libproxy.wlu.ca/uri/ebooks/ebooks6/upress6/2020-11-05/1/9780774864435.
Hoefnagels, “Cree Round Dances.” Native Dances. Accessed April 3, 2021. http://native-dance.ca/en/renewal/cree-round-dances/.
Hoefnagels, Anna and Beverly Diamond. “Part One: Innovating Tradition.” In Aboriginal Music in Contemporary Canada: Echoes and Exchanges, 42–45. McGill-Queen’s University Press. https://books.scholarsportal.info/en/read?id=/ ebooks/ebooks3/ upress/2013-08-23/1/9780773587120.
iskwē. “Little Star (Official Video),” iskwē, February 14, 2019. YouTube video, 3:46. https://www.youtube.com/watch?v=6SudJKLrOAw
Johnson, Catalina Maria. “Album of the Day: Jeremy Dutcher,‘Wolastoqiyik Lintuwakonawa.’” Bandcamp Daily, April 16, 2019, https://daily.bandcamp.com/album-of-the-day/jeremy-dutcher-wolastoqiyik-lintuwakonawa-review.
Kowal, Emma. “Time, Indigeneity and White Anti-Racism in Australia.” The Australian Journal of Anthropology 26 (2015): 94–111. https://doi: 10.1111/taja.12122.
Murray, Tom. “Edmonton’s nêhiyawak Riffs on Culture, Family and Respectful Tour-Protocols,” Edmonton Journal, February 4, 2017, https://edmontonjournal.com/entertainment/local-arts/edmontons-nehiyawak-riffs-on-culture-family-and-respectful-tour-protocols
Ndekezi, Tom. “‘Open up the Platform:’ A Q&A with JUNO Nominated Rockers Nêhiyawak.” The Gateway (blog). March 1, 2021. https://thegatewayonline.ca/2021/03/qa-nehiyawak-the-gateway/.
nehiyawakband. “To whom it may concern:” Instagram, February 27, 2020. Accessed April 7, 2021. https://www.instagram.com/p/B9FXSs9Fky7/.
Oscroft, Samara. “Nêhiyawak Navigate the Intersection between Traditional and Contemporary.” Nexus, November 20, 2019. https://www.nexusnewspaper.com/2019/11/20/nehiyawak-navigate-the-intersection-between-traditional-and-contemporary/.
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Robinson, Dylan. “Feeling Reconciliation.” In Hungry Listening: Resonant Theory for Indigenous Sound Studies, 201–33. University of Minnesota Press, 2020. https://www.jstor.org/stable/10.5749/j.ctvzpv6bb.8.
Rockingham, Graham. “Hamilton-Based Singer-Songwriter Shares Her Journey of Indigenous Self-Discovery with New Album.” The Hamilton Spectator, November 6, 2019, https://www.thespec.com/news/hamilton-region/2019/11/06/hamilton-based-singer-songwriter-shares-her-journey-of-indigenous-self-discovery-with-new-album.html.
Seufert, Curtis. “Nêhiyawak – Indigenous Trio Dismantles Colonial Conceptions.” The Source, July 7, 2020. http://thelasource.com/en/2020/07/06/nehiyawak-indigenous-trio-dismantles-colonial-conceptions/.
Simpson, Leanne. Dancing on Our Turtle’s Back. Winnipeg: Arbeiter Ring Publishing, 2011.
Shapiro, Ari. “Musician To Musician: Our 5th Annual Thanksgiving Chain Of Gratitude.” All Things Considered. NPR, 2019. https://www.npr.org/2019/11/28/782926637/musician-to-musician-our-5th-annual-thanksgiving-chain-of-gratitude.
Taylor, Timothy. “Some Versions of Difference: Discourses of Hybridity in Transnational Musics.” In Beyond Exoticism: Western Music and the World, 157–77. Duke University Press, 2007. https://books.scholarsportal.info/en/read?id=/ ebooks/ebooks0/ duke/2012-10-25/1/9780822389972.
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Woloshyn, Alexa. “Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher.” Contemporary Music Review 39, no. 2 (2020): 206–30. https://doi.org/10.1080/07494467.2020.1806627.
Zaretski, Veronica. “Jeremy Dutcher Keeps His Dying Language Aloft on the Grandiose ‘Mehcinut.’” Vice, February 13, 2018. https://www.vice.com/en/article/qvevwv/jeremy-dutcher-keeps-his-dying-language-aloft-on-the-grandiose-mehcinut.
Discography
Dutcher, Jeremy. Eqpahak. Track 3 on Wolastoqiyik Lintuwakonawa, Jeremy Dutcher, 2018, streaming audio, Spotify, https://open.spotify.com/track/3uCKlvzqTRDefFXhmcQKZ3?si=NsZznNatT1ycbNtTD-cDkQ.
iskwē. Breaking Down. Track 2 on acākosīk, Hyvetown Music Publishing, 2019, streaming audio, Spotify, https://open.spotify.com/track/3WRFAsvqjKQQGSRN8j3igk?si=7si8PFVzT4KglFsaZUuMQQ.
nêhiyawak. Open Window. Track 10 on nipiy, Arts & Crafts Productions Inc., 2019, streaming audio, Spotify, https://open.spotify.com/track/1pgcdqWwSFBAvgl9hbgASx?si=ctoPqVUmR_C0pHEc9Ewi0g