Being a Golden Hawk means more than just cheering on our (really good) varsity teams – it means being a student who cares about your community, who works hard in the classroom, and who takes advantage of all the learning opportunities that can happen outside the classroom, too.
PhD, Social and Political Thought, York University.
MA, Film and Video, York University.
BA (Honours), Film Studies, Brock University.
BA, Film Studies, University of Western Ontario.
“La Prostitution (1959), by Marcel Sacotte.” Reading with Jean-Luc Godard. Eds. Kevin J. Hayes and Céline Scemama. Montreal: Caboose (forthcoming).
“A Companion to Jean-Luc Godard.” French Studies: A Quarterly Review 70.2 (April 2016): 289-290.
“The ‘Hidden Fire’ of Inwardness: Cavell, Godard and Modernism.” The Legacies of Jean-Luc Godard. Eds. Christina Stojanova, Douglas Morrey and Nicole Côté. Waterloo, Ont.: Wilfrid Laurier University Press, 2014. 157-168.
“Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking, by Hunter Vaughan.” New Review of Film and Television Studies 11.3 (2013): 398-401.
“Times On The Road: Identity and Lived Temporality in Benoît Jacquot’s À tout de suite and L’intouchable.” Open Roads, Closed Borders: The Contemporary French-language Road Movie. Eds. Michael Gott and Thibaut Schilt. Bristol, UK: Intellect Press, 2013. 103-118.
“Reflections on the Evolution of Cinema=Godard=Cinema.” Frames 1 (July 2012).
“‘Remove the Inside, You See the Soul’: Jean-Luc Godard’s Faith in the Image.” Faith and Spirituality in Masters of World Cinema, Vol. II. Ed. Kenneth R. Morefield. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2011. 106-118.
“Moral Perfectionism in Eric Rohmer’s Ma nuit chez Maud.” Studies in French Cinema 9.1 (2009): 25-36.
“Nostalgia for the Present: The Godard Renaissance Continued.” Senses of Cinema 35 (April 2005).
“The Seductive Slack of Before Sunrise.” Post Script 19.2 (Winter/Spring 2000): 62-72.