Romantic Hospitality and the Resistance to Accommodation
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$85.00 Hardcover, 208 pp.
Shortlisted for the 2007-2008 Raymond Klibansky Prize for Best Book in the Humanities (ASPP)
What does hospitality have to do with Romanticism? What are the conditions of a Romantic welcome? Romantic Hospitality and the Resistance to Accommodation traces the curious passage of strangers through representative texts of English Romanticism, while also considering some European philosophical “pre-texts” of this tradition. From Rousseau’s invocation of the cot-less Carib to Coleridge’s reception of his Porlockian caller, Romanticisms encounters with the “strange” remind us that the hospitable relation between subject and Other is invariably fraught with problems.
Drawing on recent theories of accommodation and estrangement, Peter Melville argues that the texts of Romantic hospitality (including those of Rousseau, Kant, Coleridge, and Mary Shelley) are often troubled by the subject’s failure to welcome the Other without also exposing the stranger to some form of hostility or violence. Far from convincing Romantic writers to abandon the figure of hospitality, this failure invites them instead to articulate and theorize a paradoxical imperative governing the subject’s encounters with strangers: if the obligation to welcome the Other is ultimately impossible to fulfill, then it is also impossible to ignore. This paradox is precisely what makes Romantic hospitality an act of responsibility.
Romantic Hospitality and the Resistance to Accommodation brings together the wide-ranging interests of hospitality theory, diet studies, and literary ethics within a single investigation of visitation and accommodation in the Romantic period. As re-visionary as it is interdisciplinary, the book demonstrates not only the extent to which we continue to be influenced by Romantic views of the stranger but also, more importantly, what Romanticism has to teach us about our own hospitable obligations within this heritage.
Peter Melville is an assistant professor of English at the University of Winnipeg, and secretary-treasurer for the North American Society for the Study of Romanticism. His research explores scenes of accommodation and estrangement in Romantic literature. His recent publications include articles in European Romantic Review, Mosaic, and The Dalhousie Review and a chapter in Timothy Morton’s Cultures of Taste/Theories of Appetite: Eating Romanticism.
“Based on the Derridian assumption that hospitality always entails the risk of exposing both the guest and the host to ‘the constitutive violence of their relationship’ [and] focusing on a fascinating choice of texts.... Melville explores scenes of hospitality in Romantic writings in which the most characteristic effect is ‘disorientation’ (320). Despite the need, even the obligation to welcome the other, the actual confrontation is inevitably discomforting.... By problematizing such relationships, Romantic Hospitality and the Resistance to Accommodation focuses attention on an important and neglected area of Romantic studies.”
— Ronald A. Sharp, Vassar College, The Wordsworth Circle
“Melville’s analyses ... are consistently subtle, nuanced and productive of a host of questions that continue to press in upon us for answers. His close readings, even where they deal with isolated or tangental scenes of hospitality ... are compellingly rich and expansive.”
— Markus Poetzsch, Canadian Literature
“[A] sign of the book’s success is the desire it instills in the reader to invite other texts and other thinkers to the table that Melville has set. There is a deep significance to the idea that there is a disproportion, internal to phenomenon, between manifestation and what appears in it and that there is necessarily, an excess or surplus to the phenomenon in the phenomenon, and in its self-relation. The foremost question is how to read this surplus—this ‘elsewhere’ or beyond that paradoxically is so central to our sense of self. Ultimately, Melville is right in arguing that the manner in which we enter into relation with this surplus is intimately connected to how we read our relationship to the other. But he is also correct that precisely how the other should be read is a question that is impossible to answer just as it is impossible to ignore.”
— Sean Dempsey, Boston University, Romanticism and Victorianism on the Net