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Silence, the Word and the Sacred

E.D. Blodgett and Harold Coward, editors

 

Hardcover 238 pp.

ISBN13: 978-0-88920-981-7

Release Date: August 1989

Online discount: 25%

$65.00  $48.75

 

ePub

ISBN13: 978-0-88920-524-6

Release Date: October 2010

Online discount: 50%

$65.00  $32.50

 


   

The result of a dialogue between poets and scholars on the meaning and making of the sacred, this book endeavours to determine how the sacred emerges in sacred script as well as in poetic discourse. It ranges through scholarship in areas as apparently disparate as postmodernism and Buddhism. The perspectives developed are various and without closure, locating the sacred in modes as diverse as patristic traditions, feminist retranslations of biblical texts, and oral and written versions of documents from the world’s religions. The essays cohere in their preoccupation with the crucial role language plays in the creation of the sacred, particularly in the relation that language bears to silence. In their interplay, language does not silence silence by, rather, calls the other as sacred into articulate existence.

Poet and scholar, E.D. Blodgett has published seventeen books of poetry two of which were awarded the Governor General’s Award. He is an Emeritus Professor of Comparative Literature at the University of Alberta. His research has varied from mediaeval European romance to Canadian Comparative Literature and his publications include Five-Part Invention: A History of Literary History in Canada (2003) and Elegy (2005).

Harold Coward is a professor emeritus of history and the founding director of the Centre for Studies in Religion and Society at the University of Victoria. He is a Fellow of the Royal Society of Canada. He served as president of the Canadian Society for the Study of Religion and was the founding editor of the Journal for Hindu-Christian Studies and editor of the WLU Press series The Study of Religion in Canada. He has authored twenty books along with many edited books, chapters and articles. His publications include Scripture in the World Religions (2002), Mantra: Hearing the Divine in India and America (2004), and The Perfectibility of Human Nature in Eastern and Western Thought (2008).

Reviews

“‘And what is silence,’ asks D. G. Jones, ‘beyond the absence of sound? Is it pregnant or empty, boring or terrifying, beatific or infernal?’ This book does not, of course, resolve these questions, but it provides some fascinating readings of them, especially, I think, where it embraces the possibilities of contemporary theory.”

Border Crossings

Silence, the Word and the Sacred

Related interest

Literary criticism

Religion

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